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Party puri tarah se khatm ho chuki thi. Hall mein ek shaant, magr garam mahaul tha. Guests jaa chuke the. Mummy (ab bhi chamakdaar peeli saree mein, jiske nange baazu aur gehra gale ka hissa ab thoda be-tarteeb ho chuka tha), Mausi, aur main (Mai) chhota-mota saamaan samet rahe the. Unhi ke saath, Anwar bhi corner mein lage LED aur kapde ke decoration pieces ko dheere-dheere utaar raha tha. Uska dimaag abhi bhi cake cutting ke dauraan hue nange baazuon ke sparsh aur Mummy ke gol aakarshak pet par atka hua tha.
Mummy table se glass utha rahi thin, aur Mausi unke theek peechhe khadi thi, masti ke mood mein.
Mausi (Dheere se, Mummy ke kaan mein, unke bhare hue gaal ko chhoote hue): "Didi, saamaan toh sab chala jayega, par lagta hai ek 'item' aaj raat yahin ruk jayega."
Mummy (Naaraz hone ka natak karte hue, halki si hansi dabaate hue): "Kya keh rahi hai tu? Kaunsa item?"
Mausi: "Arre woh dekho, decoration waala 'hottie' (Anwar ki taraf ishara karte hue). Dekho toh sahi, kitni mehnat se kaam kar raha hai. Sach mein, lagta hai yeh 'bandish' (decoration) karne nahi, 'bandagi' (devotion) dene aaya tha. Usko toh aapki peeli saree aur uski gehrai hi asli 'decoration' lag rahi hai."
Mummy ke gore chehre par halki laali aa gayi. Unhone nazar uthakar Anwar ko dekha. Anwar us waqt jhuka hua tha, aur sawaan ki boond ki tarah paseena uski gardan se kamar ki taraf ja raha tha. Jaise hi Mummy ki nazar us par padi, Anwar turant darr kar seedha khada ho gaya aur apne kaam mein lag gaya.
Mummy: "chup kr, Urmila! Kya bol rahi hai tu? Woh bichara kaam kar raha hai. Teri zubaan bahut kharab ho gayi hai."
Mausi: "Haan, kaam toh woh kar raha hai, par uski aankhein bata rahi hain ki uski asal 'talaash' kya hai! Aisa lagta hai jaise usne aaj tak itni sundar naabhi (navel) aur saaf, chamakti cleavage dekhi hi nahi hogi. Uski har nazar aapke ubhar ko tol rahi hai."
Mummy: "Bass! Agar tu ab ek bhi aisi baat boli toh main chali jaaungi. Chal, tu bhi jaa ab."
Mausi: "Theek hai, theek hai. Main chali jaati hoon. Par aag toh dono taraf lagi hai, Didi. Dekhna, subah woh zarur koi naya bahana lekar aayega." Mausi ne aankh maari, Mummy ke kamar par ek chhutti hui thapki di, aur chal di.
Mausi ke jaane ke baad, Mummy ne ek lambi saans li. Woh sharminda thin, par unhein Mausi ki naughty taunt achhi lagi thi. Unhone khud ko dekha, apni saree ko kamar par theek kiya aur Anwar ki taraf dekha. Anwar abhi bhi thoda sa saamaan bacha hone ka natak kar raha tha.
Mummy (Thoda naram, behkaane waali awaz mein): "Anwar, ab chalo. Bas karo. Tum subah aana. Main tumhe nashta bhi khilaungi. Aaj bahut der ho gayi."
Anwar (Mummy ki taraf dekhte hue, jahaan saree unki patli kamar se neeche sarak rahi thi aur unka bhara hua pet saaf dikh raha tha): "Ji, Nirmala ji... Shukriya. Main subah zaroor aaunga. Actually, main woh... woh extra waali LED strip ka chhota sa connector yahan bhool gaya hoon. Woh bahut zaroori hai."
Mummy ko pata tha ki yeh bahana hai. Koi bhi decoration wala itni choti cheez nahi bhoolega. Par unhone uski baat maan li. Unki chup rehna hi Anwar ko manzoori dene jaisa tha.
Mummy: "Theek hai, theek hai. Subah jaldi aana. Tumhara kaam chhutna nahi chahiye."
Anwar: "Ji, Bhabhi ji. Good night."
Mummy: "Good night, Ji."
Agle Din Ka Naya Bahana:
Mummy ne uski badtameezi ko roka nahi, balki dheere-dheere respond karke us line ko dhundhla kar diya.
Agli subah, Mummy abhi bhi bistar par hi thin. Unki neend abhi theek se khuli nahi thi, par unhein doorbell ki awaaz aayi.
Mummy ko pata tha ki yeh kaun hai. Unka dil zor se dhadakne laga. Jaldi se woh utheen aur unhone ek dhili, safed cotton ki nighty pehni, jismein unka gudgudaya jism (curvaceous body) aaram se dikh raha tha. Nighty ki patli fabric se unki chhati ka ubhaar aur gehre kat halka-halka jhalak raha tha. Unka chehra abhi bhi laali liye hue tha, jaise woh subah ki thand mein bhi andruni garmi mehsoos kar rahi hon.
Unhone gate khola. Saamne Anwar khada tha, ek haath mein ek chhota sa, be-maani, plastic ka connector pakde hue, jaise woh asli mein bhool gaya ho. Usne ek saaf shirt aur pant pehni thi, par uski aankhon mein wahi chahat thi jo kal raat thi. Uske chehre par thodi si sharam thi, par be-sabri zyada thi.
Anwar: "Good morning, bhabhi ji. Woh, main woh LED strip waala connector lene aaya tha. Mujhe bahut jaldi thi."
Mummy: "Good morning. Arre Anwar, tum itni jaldi? Koi baat nahi. Woh toh hall mein hoga, andar aao."
Mummy ne gate poora khola aur woh hall ki taraf badhin. Nighty mein unka bhara hua jism aur bhi zyada gol aur aakarshak lag raha tha. Unki thandi subah ki laali unke gol baazuon par saaf dikh rahi thi. Nighty unke har aakar ko narm tareeqe se udaagar kar rahi thi.
Anwar ne jab Mummy ko saree ke bajaye nighty mein dekha, toh uski saansein phir ruk gayiin. Uska dhyaan us chote se wire par nahi, balki Mummy ki khuli, saaf gardan, narm baazu aur nighty ke andar chhupi cleavage (valley) par tha. Uske pairo ko hall tak aana bhari lag raha tha.
Mummy hall mein pahunchin aur badi aahista se, kamar ke bal us chote se connector ko uthaane ke liye jhukiin. Nighty unki kamar se upar ki taraf khinch gayi.
Anwar ka dil zor se dhadakne laga। Uska subah ka bahana kaam kar gaya tha। Usne ab Mummy ko us roop mein dekha tha, jaisa usne sapne mein socha tha। Uska saara dimaagi control us ek jhukne ke per tha
Jhukne Ka Manzar (The Scene of Bending Down)
Mummy hall mein pahunchin aur ek chhoti aahista ke saath jhukiin us chhote se LED connector ko uthaane ke liye, jo zameen ke paas pada tha. Subah ki jaldi aur andaruni garmi (internal heat) mein unhein dhyan hi nahi raha ki unhone saree ki jagah sirf ek patli, halki safed nighty pehni hai.
Anwar bilkul Mummy ke peechhe teen-chaar kadam ki doori par, saans roke khada tha.
Jaise hi Mummy apne ghutne halka modkar jhukiin, nighty ka kapda unke bhaari, ubhre hue stanon (full, prominent breasts) par tan gaya. Nighty ka gol gala (round neck) is jhukne ki wajah se aur phail gaya, jisse Anwar ko Mummy ki chhaatiyon ke beech ki gehraayi aur narm ghaati (soft valley) ka kaafi had tak andaruni nazaara bilkul saaf dikh gaya.
Pichhle hisse mein, nighty unki chaudi, gol kamar se upar khinch gayi, jisse unke bhare hue kulhon (plump curves of the hips/posterior) ka aakarshak ubhaar us patle kapde mein poori tarah se numaya (fully revealed) ho gaya. Woh nazaara madhosh karne waala tha.
Anwar ki nigaahein palak jhapkaaye bina wahin jam gayiin. Uske jism mein bijli ki lehar daud gayi. Raat bhar ki man ki chahaton aur subah-subah nighty mein yeh poora roop... uske honth sookh gaye.
Mummy ne connector uthaya aur aahista se seedhi hone lagin.
Anwar se ab aur sabr nahi hua. Uske jawaani ki chahat (desire) aur raat bhar ki be-chaini us par haavi ho gayi.
Pehla Gupt Sparsh (The First Secret Touch)
Jaise hi Mummy poori tarah seedhi hone waali thin, Anwar tezi se ek kadam aage badha.
Anwar: "Aah! Bhabhi ji, rukiye!"
Mummy chaunkkar rukiin.
Mummy: "K-kya hua, Anwar?"
Anwar (uski nazar ab bhi Mummy ki chaati ke ubhaar par thi): "Woh... woh connector ganda hai, Bhabhi ji. Aapke goray haath ko daag lag jayega. Main saaf kar deta hoon."
Yeh kehte hi, bina Mummy ke jawaab ka intezaar kiye, Anwar ne had se zyada dileri (extreme boldness) dikhaayi. Usne apna haath aage badhaya aur Mummy ke haath se connector lene ke bahane se, Mummy ki nighty ke theek neeche se, unke bhare hue baazu (plump arm) ke andaruni, naram hisse ko apni ungliyon ke nakhun (fingernails) se tez, halka sa ragad (sharp, light brush) diya.
Yeh chori ka, tez sparsh (stolen, sharp touch) saaf taur par aakarshak tha. Ismein seedhi chahat thi.
Mummy ne dard ya surprise ki wajah se ek tez, halki si aah bhari. Unki aankhein shock se fail gayiin. Unka saara jism ek pal ke liye jam gaya.
Mummy (Halke gusse aur garam saans mein): "Anwar! Yeh kya tha?"
Anwar (Apne chehre par maasumiyat (innocence) laane ki koshish karte hue, par uski aankhon mein sharaarat thi): "Bhabhi ji... woh wire... wire tez tha. Aur... aapke haath ko chubh gaya." Usne tez saans li.
Mummy ko pata tha ki wire ki wajah se kuch nahi hua. Unhein pata tha ki yeh jaan-boojhkar kiya gaya tha uske dil ki baat kehne ke liye. Unka poora badan sharm aur garmi se laal ho gaya tha. Unhein use turant daantna chahiye tha, par raat bhar ki soch aur subah ka yeh teekha sparsh... unki zubaan band ho gayi.
Mummy (Aankhein churaate hue, dheere se): "Theek hai. Tum wire le lo. Aur ab jaldi se chale jaao."
Anwar ne vijayee muskaan (victorious smile) chhupayi aur connector uthaya. Uske chehre par ab nirbhikta (fearlessness) aur chahat ki chamak thi. Usne Mummy ko sir jhukakar dekha aur bola:
Anwar: "Jaa raha hoon, Bhabhi ji. Par mujhe lagta hai... ek aur zaroori samaan abhi bhi kahin miss ho gaya hai. Shaam ko... shayad dobara aana padega. Jab aapke paas waqt ho."
Mummy ne gusse aur lajja (shame) mein turant gate band kar diya. Woh seedha gate par tik gayiin, unka dil paagalpan ki tarah dhadak raha tha. Woh ghabrayi hui thin, par unhein yeh chori-chori ki khel achhi lag rahi thi. Unka haath turant us jagah gaya jahaan Anwar ne chhua tha—ek mithi chubhan ka ehsaas tha.
Unhein pata tha ki shaam ko Anwar phir aayega, aur woh use rokne waali nahi thin.
Seventh Part: Aaine Mein Mummy Aur Dil Ki Bagawat ()
Anwar ke jaane ke baad, Mummy jaldi se (quickly) apne room mein aayin aur darwaza andar se lock kar liya. Unka dil bohot tez dhadak raha tha, aur unka poora jism garam (warm) tha.
Unhone nighty utaari aur aaine (mirror) ke saamne khadi ho gayiin.
Aaine Mein Jism Aur Ehsaas (The Body and Feeling in the Mirror)
Mummy ne ek gehri saans li aur khud ko nighty ke nishanon ke bagair dekha. Unka gora, bhara hua jism (fair, plump body) aaine mein glow kar raha tha. Unki badi chhatiyan (large breasts) aur mansal pet (fleshy belly) ajeeb si aag (fire) de rahe the.
Mummy ka haath turant (immediately) us jagah gaya jahaan Anwar ne touch kiya tha—unke nange baazu (bare arm) ke andar ke hisse par. Unhein wahaan abhi bhi tez, teekhi gudgudi (sharp, ticklish sensation) mehsoos ho rahi thi, jaise Anwar ki ungliyon ke nails ne unki skin par nishaan chhod diye hon.
Woh sach (truth) ko ignore nahi kar paayin. Unhein gussa (anger) nahi aa raha tha. Unhein darr (fear) nahi lag raha tha. Unhein ek ajeeb sa, meetha dard aur uttejana (arousal/excitement) mehsoos ho rahi thi.
Khud se Sawaal pucha "Main use scold kyun nahi kiya? Usne toh saaf-saaf badtameezi (misbehavior) ki thi. Phir mere honthon par yeh smile kyun hai?"
Andar ki Aawaz: Unke andar ki dabi hui aurat (suppressed woman) jawaab de rahi thi. Papa ki thandi, boring zindagi ke baad, Anwar ki jawaan, pyaasi aankhon aur dilerana sparsh (bold touch) ne unhein alive mehsoos karaya tha.
Mummy ne apne pet (stomach) par haath rakha. Kal ki peeli saree aur usmein khuli hui naabhi (exposed navel) ke baare mein socha. Unhein realize hua ki Anwar ne unhein woh attraction (aakarshan) diya, jo unke pati ne saalon se nahi diya tha.
Shaam Ka Intezaar (Waiting for the Evening)
Anwar ka aakhri dialogue unke kaanon mein goonj raha tha: "Shaam ko... shayad dobara aana padega."
Mummy ko pata tha ki yeh 'wire' ka bahana sirf milne aur chori ka sparsh (stolen touch) paane ke liye tha.
Unhein complain karni chahiye thi, par unhein intezaar (wait) tha.
Unka mann shaam ke liye taiyaari (preparation) karne laga.
: Kya woh wahi nighty pehnein? Nahi, shayad woh bahut zyada (too much) ho jayega. Par saree bhi nahi.
Faisla: Unhone apni cupboard kholi aur ek halki, sheer (transparent) salwar kameez nikaali—jo bina dupatta ke, unke bhari hue jism ko aur zyada highlight degi aur Anwar ki nazron ko chupke se invitation (daawat) degi.
Unhein pata tha ki woh ek dangerous raaste (khatarnaak raaste) par chal rahi hain. Yeh forbidden rishta unki shaadi aur unke bachche ke liye wrong tha, par Anwar ki haws (lust) aur unki apni dabi hui chahat (desire) unhein shaam tak rok nahi paayegi.
Mummy ne ek garm shower liya, aur jab unhone apne baazu ko phir se gently rub (sahlaaya) kiya, toh unke hothon par wohi muskaan thi jo kal raat cake khilaate waqt thi.
: Shaam Ka Dhokha Aur Salwar Kameez Ka Jaadu ()
Shaam Ki Aahat (The Arrival of Evening)
Sham dhal chuki thi. Ghar mein ek khamosh, tense mahaul tha. Mummy ne Anwar ki baat maan li thi aur shaam ke liye taiyaari ki thi. Unhone peeli saree ko chhodkar ek halki gulabi (light pink) rang ki transparent (sheer) salwar kameez pehni thi.
Is kameez mein dupatta nahi tha. Kameez unke bhare hue jism (full figure) par kasi (tight) hui thi, jisse unki bhari hui chaatiyan (full breasts) aur gol pet (round belly) aur bhi zyada prominent lag rahe the. Kameez ka kapda itna patla tha ki unke andar pehni hui bra aur uski gehri ghaati (deep cleavage) ki halki jhalak saaf thi. Kameez ki side slits se unki gori, bhari hui ranein (thighs) bhi chalne par dikhti thin.
Mummy thodi nervous thin. Woh baar-baar aaine mein khud ko dekhti aur apne haathon se kameez ko neeche kheenchne ki koshish kartin, par sharam aur chahat unhein kuch aur karne nahi de rahi thi. Doorbell baji.
Mummy ka dil dhadka. Unhein pata tha kaun hai. Unhone darwaza khola.
Saamne Anwar khada tha. Usne is baar ek simple T-shirt aur jeans pehni thi, aur uske haath mein koi wire nahi tha—bas ek chhota sa tool kit tha.
Anwar (Nazrein neeche, par phir dheere se Mummy ke jism par uthaate hue): "G-Good evening, Bhabh ji. Main... main woh baaki ka saamaan aur woh extra wire dekhne aaya tha."
Salwar Kameez Ka Nazaara Aur Anwar Ka Haal (The View and Anwar's Condition)
Jaise hi Anwar ki nazar Mummy ke nighty se hatkar kameez par padi, uske chehre ka rang ud gaya. Uske hothon se ek chhoti si garm saans nikli.
Mummy ki khubsoorati is kameez mein aur zyada uffan (overflowing) rahi thi. Anwar ki nazar turant unki gol, bhari hui chaatiyon par gayi, jahaan patle kapde ke andar bra ki outline aur unke stanon ka ubhaar use saaf dikh raha tha. Uske baad uski nazar Mummy ke gol pet par tiki, jahaan kameez ke tight hone ki wajah se ek chhoti si line ban rahi thi.
Anwar khamosh ho gaya. Woh Mummy ko ghoor raha tha, jaise woh unhein nigal jayega.
Mummy (Halki awaaz mein, sharm se gardan jhukaate hue): "A... Andar aao, Anwar. Hall mein saamaan hoga."
Mummy dheere se hall ki taraf badhin. Har kadam ke saath, kameez thodi si uthti, aur Anwar ko unki gori ranein (fair thighs) dikh jaatin. Anwar apne hosh kho raha tha. Uska khoon tezi se garam ho raha tha. Uske jawaan dil mein saaf zidd thi—aaj woh chup nahi baithega.
Wire Ka Bahana Aur Nazdeeki (The Excuse and Proximity)
Mummy aur Anwar hall mein aaye. Saamaan ek corner mein pada tha.
Mummy: "Dekho, yahin kahin hoga. Mujhe toh yaad nahi."
Mummy, sharm aur jhijhak ke beech, khadi thin. Woh Anwar ke itne kareeb nahi aana chahti thin.
Anwar: "Bhabh ji, woh chhota sa switch hai, woh diwaar ke paas hoga. Aap peeche ho jaaiye, main dekhta hoon."
Anwar ne jaan-boojhkar Mummy ko peeche hatne ko kaha, taaki woh aage jhuk sake.
Mummy, uski baat maan kar, ek kadam peeche huiin. Jaise hi woh peeche huiin, Anwar turant aage badha aur diwaar ke paas jhuk gaya.
Anwar ke jhukne se, uska haath Mummy ke ghutnon (knees) ke paas rakhi table se takraya. Table par ek paani ka glass rakha tha. Dhaam! Glass zameen par gir gaya aur toot gaya.
Mummy cheekh padi aur ghabraakar ekdum Anwar ke upar jhuk gayiin.
Mummy: "Haye! Yeh kya kiya tumne, Anwar!"
Is ghabrahat ke pal mein, Mummy poori tarah se Anwar ke kareeb aa gayiin. Mummy ka bhara hua badan aur unki bra mein kase hue stan Anwar ke seene se halke se takraaye. Unka gol pet Anwar ki kamar ke kareeb aa gaya.
Anwar ne turant is mauke ka fayda uthaya. Usne toote hue glass ki taraf dekhte hue sharam ka natak kiya, par uska haath turant Mummy ki patli kamar par gaya, jaise woh unhein girne se rok raha ho.
Anwar (Dheere se, Mummy ki saanson ke paas): "Bhabh ji! Sorry! Aap g-girne waali thin..."
Uska haath salwar kameez ke patle kapde ke upar se Mummy ki gori, garamkamar par tez aur kas kar (tightly) tik gaya.
Mummy ka jism kaanp utha. Unhein apne pati ka sparsh saalon se yaad nahi tha, aur ab Anwar ka garm haath unki kamar par tha, unke bhari hue jism ko kas raha tha। Unhein tez uttejana mehsoos hui, aur woh ek pal ke liye Anwar ke sahare tik gayiin.
Mummy (Apni saans rokte hue): "Hato, Anwar!"
Mummy ne halki taaqat se use dhakka diya, par yeh dhakka itna mazboot nahi tha ki Anwar unse door ho jaaye. Unki aankhon mein sharam, galti aur chahat ka mishran tha.